The narrator focuses particularly on the poet's art of manipulating " Words [ which ] strain, / Crack and sometimes break, under the burden [ of time ], under the tension, slip, slide, perish, decay with imprecision, [ and ] will not stay in place, / Will not stay still . " By comparison, the narrator concludes that " Love is itself unmoving, / Only the cause and end of movement, / Timeless, and undesiring ."
2.
The narrator focuses particularly on the poet's art of manipulating " Words [ which ] strain, / Crack and sometimes break, under the burden [ of time ], under the tension, slip, slide, perish, decay with imprecision, [ and ] will not stay in place, / Will not stay still . " By comparison, the narrator concludes that " Love is itself unmoving, / Only the cause and end of movement, / Timeless, and undesiring . " For this reason, this spiritual experience of " Love " is the form of consciousness that most interests the narrator ( presumably more than the creative act of writing poetry ).
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